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Lun 24 Ott 2011 18:06:45 CEST


platform which focuses on the impact of new technologies and sciences on
art, design, culture and contemporary society. Founded and directed by Marc=
o
Mancuso, is now based on the active participation of quite 50 professional
people, who represent a wide international Network of journalists, curators=
,
artists, theorists, practioneers and critics. Digicult is also the editor o=
f
the monthly magazine Digimag, which focuses on some cultural, productive an=
d
artistic issues like: internet & networks, hacking & hacktivism, video art =
&
experimental cinema, sound art & electrinic music, audiovideo and live
media, design & architecture, art & science, new media & social media,
software art  & generative art, performing art & interactive dance, with a
strong critic and journalistic approach

[DIRECTION & MANAGEMENT COMMITEE]:

Marco Mancuso (Professor at Naba Academy of Milan, Visiting Professor at
Transmedia School of Brussels) ; Claudia D'Alonzo (International Doctorship
in Audiovisual Studies, University of Udine) ; Bertram Niessen (Researcher
at Sociology Deparment of Statale University Milan - Bicocca) ; Lucrezia
Cippitelli (Phd at Sapienza University Rome and Professor at Fine Arts
Academy of L'Aquila)

[EDITORIAL STAFF & TRANSLATIONS]:

Marco Mancuso (Editorial Director) ; Claudia D'Alonzo (Press Office) ; Paol=
o
Ceresatto, Martina Panelli, Alessandra Coretti (Editing) ; Roberta Buiani
(English Review) ; Meryem Dipdere (Social Networking) ; Fabio Franchino
(Technical Consultancy) ; Riccardo Vescovo (Graphic Design) ; Chiara Colell=
a
(Marketing Manager) ; Paolo Borsatti (Marketing Accountant) ; Simona
Casonato (Outreach Manager)  Laurea Magistrale in Traduzione Specialistica,
Universit=E0 IULM di Milano (Website Translations) ; Lara Freschi, Francesc=
a
Lattanzi, Stefano Avola, Andrea Cariello, Valentina Locatelli (Magazine
Translations)

[AUTHORS]:

Tatiana Bazzichelli ; Bertram Niessen ; Teresa De Feo ; Luigi Ghezzi ;
Giulia Baldi ; Domenico Quaranta ; Massimo Schiavoni ; Monica Ponzini ;
Annamaria Monteverdi; Valentina Tanni ; Silvia Bianchi ; Lucrezia Cippitell=
i
; Claudia D'Alonzo; Barbara Sansone ; Giulia Simi ; Silvia Scaravaggi ;
Alessio Galbiati ; Antonio Caronia ; Loretta Borrelli ; Carla Langella ;
Silvia Casini ; Jeremy Levine ; Herman B. Mendolicchio ; Serena Cangiano ;
Micha Cardenas ; Mark Hencock ; Pasquale Napolitano ; Zoe Romano ; Enrico
Pitozzi ; Eugenia Fratzeskou ; Mattia Casalegno ; Robin Peckam ; Sabina
Cuccibar ; Silvia Bertolotti ; Simone Broglia ; Claudio Musso ; Claudia
Maina ; Elena Biserna ; Maria Chatzichristodoulou ; Neva Pedrazzini ;
Mathias Jansson ; Felipe Zuniga ; Alexandra Purcaru ; Lorenzo Taiuti ; Pia
Bolognesi ; Julianne Pierce ; Thomas Schielke ; Emanuele Andreoli ;
Alessandra Saviotti ; Alfredo Cramerotti ; Martina Panelli ; Alessandra
Coretti ; Nicola Bozzi ; Michael Spzakowski ; Jamie Ferguson ; Mauro Arrigh=
i

[CONTACTS]:

Digicult: digital art, design & culture
Editorial Director: Marco Mancuso
Via Thaon di Revel 9, 20159, Milan (Italy)
http://www.digicult.it/en/
Mob.+39.340.8361816

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Sorry for any crosspostings<br>

<br>

Digicult presents:<br>

<br>

DIGIMAG 68 - OCTOBER 2011<br>

<a href=3D"http://www.digicult.it/digimag_eng/">http://www.digicult.it/digi=
mag_eng/</a><br>

<br>

&quot;We always let the public decide freely on the meaning, we believe in=
=20
the idea of an emancipated spectator, who always has a personal reading=20
and adds a new meaning to complement the work. However, this position=20
brings us sometimes to be as literal as possible. For example, in some=20
project we have affirmed =93State Murderer=94: there is not a lot to=20
interpret here. It is clear that we utilize strategies of culture=20
jamming, ma in an instrumental way, that is , as a communicative=20
guerrilla and use of mass culture with the goal to make ironic=20
statements on the homogeneity of popular culture and the seduction of=20
advertisement.&quot;<br>

<br>

Democracia from &quot;Urban critique practices. An interview to Democracia =
collective&quot; by Pia Bolognesi and Claudia D&#39;Alonzo<br>
<br>
------<br>

<br>

[INTERVIEWS]<br>

<br>

FREDERIK DE WILDE. INVISIBLE BOUNDARY BETWEEN ART &amp; SCIENCE<br>

by Silvia Bertolotti<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2180">http://www=
.digicult.it/digimag/article.asp?id=3D2180</a><br>

<br>

URBAN CRITIQUE PRACTICES. AN INTERVIEW TO DEMOCRACIA COLLECTIVE<br>

by Pia Bolognesi &amp; Claudia D&#39;Alonzo<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2187">http://www=
.digicult.it/digimag/article.asp?id=3D2187</a><br>

<br>

MOVING-REMIXING. THE ECONOMY OF MOTION BY MARK AMERIKA<br>

by Mark Hancock<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2181">http://www=
.digicult.it/digimag/article.asp?id=3D2181</a><br>

<br>

UPDATES FROM THE REVOLT. AN INTERVIEW TO A SYRIAN ACTIVIST <br>

by Pamoa Irata<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2178">http://www=
.digicult.it/digimag/article.asp?id=3D2178</a><br>

<br>

THE PARTICLE. AN INTERVIEW TO ALEX POSADA<br>

by Alessandra Coretti<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2174">http://www=
.digicult.it/digimag/article.asp?id=3D2174</a><br>

<br>

CRAFT HACKING IN THE LOOM. CHRISTY MATSON AND MELISSA BARRON<br>

by Mathias Jansson<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2186">http://www=
.digicult.it/digimag/article.asp?id=3D2186</a><br>

<br>

STEWING. &quot;PEOPLE&#39;S PORNOGRAPHY&quot; BY KATRIEN JACOBS<br>

by Robin Peckham<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2182">http://www=
.digicult.it/digimag/article.asp?id=3D2182</a><br>

<br>

TIAGO PEREIRA AND AUDIOVISUAL. DOCUMENTARIES AND THE ORAL TRADITION<br>

by Ana Carvalho<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2175">http://www=
.digicult.it/digimag/article.asp?id=3D2175</a><br>

<br>

LINDSAY HOWARD: 319 SCHOLES AND ONLINE CURATING<br>

by Silvia Bianchi<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2184">http://www=
.digicult.it/digimag/article.asp?id=3D2184</a><br>

<br>

SONIC HAIKU AND INVISIBLE CITIES. YASUIRO MORINAGA&#39;S SOUND DESIGN<br>

by Pasquale Napolitano<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2177">http://www=
.digicult.it/digimag/article.asp?id=3D2177</a><br>

<br>

------<br>

<br>

[REPORTS]<br>

<br>

ISEA 2011 ISTANBUL: A REPORT. ART AT THE CROSSROADS<br>

by Eugenia Fratzeskou<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2183">http://www=
.digicult.it/digimag/article.asp?id=3D2183</a><br>

<br>

&quot;YOU&#39;RE DOING WHAT?&quot; MAKE A LIVING INVENTING YOUR JOB <br>

by Zoe Romano<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2176">http://www=
.digicult.it/digimag/article.asp?id=3D2176</a><br>

<br>

THE &quot;SPECULATIVE&quot; EXHIBITION. MAY FICTION REDEFINE REALITY?<br>

by Mattia Casalegno<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2179">http://www=
.digicult.it/digimag/article.asp?id=3D2179</a><br>

<br>

------<br>

<br>

[ESSAYS]<br>

<br>

SOUND, BODY, VOLUME. PERFORMATIVITY ACCORDING TO NICO VASCELLARI<br>

by Silvia Scaravaggi<br>

<a href=3D"http://www.digicult.it/digimag/article.asp?id=3D2185">http://www=
.digicult.it/digimag/article.asp?id=3D2185</a><br>

<br>

------<br>

<br>

[ATTACHMENT]<br>

<br>

AN INTRODUCTION TO FAILURE. TAKE YOUR PROTEINS, PUT YOUR HELMET ON...<br>

by Alfredo Cramerotti<br>

<a href=3D"http://www.digicult.it/digimag_eng/allegato.asp">http://www.digi=
cult.it/digimag_eng/allegato.asp</a><br>

<br>

------<br>

<br>

[THE DIGICULT PROJECT]:<br>

<br>



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