Sorry for any crosspostings<br><br>Digicult presents:<br><br>DIGIMAG 67 - SEMPTEMBER 2011<br><a href="http://www.digicult.it/digimag_eng/">http://www.digicult.it/digimag_eng/</a><br><br>"...This
interest comes from sound in itself and then from being interested in
humans and their lives, histories, conditions etc. But we also wanted to
go beyond the object and to not objectify and we came across audio as
being, in the context of visual arts, in a certain way less, or
differently, objectifying than the photograph or the video image; and
also for its sculptural and material, or immaterial, qualities; of
traveling through space instead of being fixed in its place, or just
having one line of projection like video, for example, whose image has a
more fixed format. We have been working with sound for a long time:
sound was part of the environments we did during the first years of our
collaboration; then we used it as a means of intervention in public
space. We usually used concrete sound in relationship with space, as a
way of shaping it or intervene in it, more than as a narrative
element..."<br><br>Libia Castro & Ólafur Ólafsson, from "Radicant Aesthetics. Libia Castro & Ólafur Ólafsson" by Elena Biserna<br><br>------<br><br>[INTERVIEWS]:<br><br>RADICANT AESTHETICS. LIBIA CASTRO & OLAFUR OLAFSSON <br>
<a href="http://www.digicult.it/digimag/article.asp?id=2154">http://www.digicult.it/digimag/article.asp?id=2154</a> - by Elena Biserna<br><br>LANFRANCO ACETI. LEA, ISEA AND OTHER CHALLENGES<br><a href="http://www.digicult.it/digimag/article.asp?id=2155">http://www.digicult.it/digimag/article.asp?id=2155</a> - by Herman Bashiron Mendolicchio<br>
<br>ART/TAPES/ 22. INTERVIEW WITH MARIA GLORIA BICOCCHI <br><a href="http://www.digicult.it/digimag/article.asp?id=2158">http://www.digicult.it/digimag/article.asp?id=2158</a> - by Claudia D'Alonzo<br><br>TOUCHING THE MUSIC. BASCHET LABORATORY OF SOUND SCULPTURE<br>
<a href="http://www.digicult.it/digimag/article.asp?id=2149">http://www.digicult.it/digimag/article.asp?id=2149</a> - by Barbara Sansone<br><br>PARALLEL WORLDS. THE MYSTERIOUS DORON GOLAN<br><a href="http://www.digicult.it/digimag/article.asp?id=2152">http://www.digicult.it/digimag/article.asp?id=2152</a> - by Michael Szpakowski<br>
<br>NEW MEDIA ART IN JAPAN. HIDEAKI OGAWA AND THE DEVICE ART<br><a href="http://www.digicult.it/digimag/article.asp?id=2147">http://www.digicult.it/digimag/article.asp?id=2147</a> - by Mauro Arrighi<br><br>PABLO GARCIA-VALENZUELA. THE SOUND ART IN MEXICO CITY<br>
<a href="http://www.digicult.it/digimag/article.asp?id=2148">http://www.digicult.it/digimag/article.asp?id=2148</a> - by Felipe Zuniga<br><br>MAURO CEOLIN: ETHNOGRAPHY OF THE IMAGINARY <br><a href="http://www.digicult.it/digimag/article.asp?id=2157">http://www.digicult.it/digimag/article.asp?id=2157</a> - by Claudio Musso<br>
<br>--------<br><br>[ESSAYS]:<br><br>KOEN VANMECHELEN. CHICKENS, CHICKS & EXPERIMENTAL SUBJECTS<br><a href="http://www.digicult.it/digimag/article.asp?id=2150">http://www.digicult.it/digimag/article.asp?id=2150</a> - by Silvia Casini<br>
<br>THE THEATRE OF SOUND. ACOUSTIC RESEARCH BY FANNY & ALEXANDER<br><a href="http://www.digicult.it/digimag/article.asp?id=2156">http://www.digicult.it/digimag/article.asp?id=2156</a> - by Enrico Pitozzi<br><br>A GUIDE TO AN A-DOCUMENTARY. VISION - RAPRESENTATION - RICREATION<br>
<a href="http://www.digicult.it/digimag/article.asp?id=2159">http://www.digicult.it/digimag/article.asp?id=2159</a> - by Emanuele Andreoli<br><br>OPERATIVE TRANSFORMATIONS - PART 2<br><a href="http://www.digicult.it/digimag/article.asp?id=2146">http://www.digicult.it/digimag/article.asp?id=2146</a> - by Eugenia Fratzeskou<br>
<br>--------<br><br>[REPORTS]:<br><br>ART & NETWORKED CULTURE. TALLIN AND THE NEW MEDIA ART<br><a href="http://www.digicult.it/digimag/article.asp?id=2151">http://www.digicult.it/digimag/article.asp?id=2151</a> - by Mathias Jansson<br>
<br>WEB AESTHETICS. VITO CAMPANELLI AND THE MEDIA AESTHETICS<br><a href="http://www.digicult.it/digimag/article.asp?id=2153">http://www.digicult.it/digimag/article.asp?id=2153</a> - by Pasquale Napolitano<br><br>--------<br>
<br>[ATTACHMENT]:<br><br>BIOARTCAMP. AN ADVENTURE UPON THE ROCKY MOUNTAINS<br><a href="http://www.digicult.it/digimag_eng/allegato.asp">http://www.digicult.it/digimag_eng/allegato.asp</a> - by Jamie Ferguson<br><br>[COVER]:<br>
<br>Libia Castro & Ólafur Ólafsson, Under Deconstruction<br><br>--------<br><br>[THE DIGICULT PROJECT]:<br><br>From
2005, Digicult has being an online/offline cultural and editorial
platform which focuses on the impact of new technologies and sciences on
art, design, culture and contemporary society. Founded and directed by
Marco Mancuso, is now based on the active participation of quite 50
professional people, who represent a wide international Network of
journalists, curators, artists, theorists, practioneers and critics.
Digicult is also the editor of the monthly magazine Digimag, which
focuses on some cultural, productive and artistic issues like: internet
& networks, hacking & hacktivism, video art & experimental
cinema, sound art & electrinic music, audiovideo and live media,
design & architecture, art & science, new media & social
media, software art & generative art, performing art &
interactive dance, with a strong critic and journalistic approach<br><br>[DIRECTION & MANAGEMENT COMMITEE]:<br><br>Marco
Mancuso (Professor at Naba Academy of Milan, Visiting Professor at
Transmedia School of Brussels) ; Claudia D'Alonzo (International
Doctorship in Audiovisual Studies, University of Udine) ; Bertram
Niessen (Researcher at Sociology Deparment of Statale University Milan -
Bicocca) ; Lucrezia Cippitelli (Phd at Sapienza University Rome and
Professor at Fine Arts Academy of L'Aquila)<br><br>[EDITORIAL STAFF & TRANSLATIONS]:<br><br>Marco
Mancuso (Director) ; Claudia D'Alonzo (Press Office) ; Paolo Ceresatto,
Martina Panelli, Alessandra Coretti (Editing) ; Paola Barisani (English
Review) ; Meryem Dipdere (Social Networking) ; Giovanni Damiola
(Technical Consultancy) ; Riccardo Vescovo (Graphic Design) ; Chiara
Colella (Marketing Manager) ; Paolo Borsatti (Marketing Accountant) ;
Simona Casonato (Outreach Manager) Laurea Magistrale in Traduzione
Specialistica, Università IULM di Milano (Website Translations) ; Lara
Freschi, Francesca Lattanzi, Stefano Avola, Andrea Cariello, Roberta
Buiani, Roberta Meloncelli (Magazine Translations) <br><br>[AUTHORS]:<br><br>Tatiana
Bazzichelli ; Bertram Niessen ; Teresa De Feo ; Luigi Ghezzi ; Giulia
Baldi ; Domenico Quaranta ; Massimo Schiavoni ; Monica Ponzini ;
Annamaria Monteverdi; Valentina Tanni ; Silvia Bianchi ; Lucrezia
Cippitelli ; Claudia D'Alonzo; Barbara Sansone ; Giulia Simi ; Silvia
Scaravaggi ; Alessio Galbiati ; Antonio Caronia ; Loretta Borrelli ;
Carla Langella ; Silvia Casini ; Jeremy Levine ; Herman B. Mendolicchio ;
Serena Cangiano ; Micha Cardenas ; Mark Hencock ; Pasquale Napolitano ;
Zoe Romano ; Enrico Pitozzi ; Eugenia Fratzeskou ; Mattia Casalegno ;
Robin Peckam ; Sabina Cuccibar ; Silvia Bertolotti ; Simone Broglia ;
Claudio Musso ; Claudia Maina ; Elena Biserna ; Maria
Chatzichristodoulou ; Neva Pedrazzini ; Mathias Jansson ; Felipe Zuniga ;
Alexandra Purcaru ; Lorenzo Taiuti ; Pia Bolognesi ; Julianne Pierce ;
Thomas Schielke ; Emanuele Andreoli ; Alessandra Saviotti ; Alfredo
Cramerotti ; Martina Panelli ; Alessandra Coretti ; Nicola Bozzi ;
Michael Spzakowski ; Jamie Ferguson ; Mauro Arrighi<br><br>[CONTACTS]:<br>
<br>
Digicult: digital art, design & culture<br>
Editorial Director: Marco Mancuso <br>
Via Thaon di Revel 9, 20159, Milan (Italy)<br>
<a href="http://www.digicult.it/en/">http://www.digicult.it/en/</a><br>
Mob. +340.8361816