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    <font style="font-size:11pt" face="Times New Roman" size="2">Aksioma
      – Institute for Contemporary Art, Ljubljana, kindly invites you to
      the opening of the exhibition and presentations</font><font
      face="Times New Roman"> <br>
      <br>
    </font>
    <font face="Times New Roman"><font size="3"><b>Igor
          Štromajer</b></font> <br>
    </font><font face="Times New Roman"><font size="4"><i><b><span
              style="background:transparent">Make
              Love, Not Art</span></b></i></font><br>
    </font>
    <font face="Times New Roman" color="#000080"><span lang="zxx"><u><a
            moz-do-not-send="true"
            href="http://www.aksioma.org/make_love_not_art"><font
              style="font-size:11pt" size="2"><span
                style="background:transparent">www.aksioma.org/make_love_not_art</span></font></a></u></span></font><font
      face="Times New Roman"> <br>
      <br>
    </font>
    <font style="font-size:11pt" face="Times New Roman" size="2"><span
        style="background:transparent"><font color="#141414"><span
            lang="en-US"><b>Aksioma
            </b></span></font><font color="#141414"><span lang="en-US"><b>|</b></span></font><font
          color="#141414"><span lang="en-US"><b>
              Project Space</b></span></font></span></font><font
      face="Times New Roman"> <br>
    </font><font face="Times New Roman" color="#141414"><font
        style="font-size:11pt" size="2">Komenskega
        18, Ljubljana, Slovenija</font></font><font face="Times New
      Roman"> <br>
    </font>
    <font style="font-size:11pt" face="Times New Roman" size="2"><span
        lang="en-GB">29 February –
        16 March 2012</span></font><font face="Times New Roman"> <br>
      <br>
    </font>
    <font face="Times New Roman"><font style="font-size:11pt" size="2"><b>Presentations
and
          exhibition opening: Wednesday, 29 February 2012, 7 p.m.</b></font>
      <br>
      <br>
    </font>
    <font face="Times New Roman"><font style="font-size:11pt" size="2"><span
          style="text-decoration:none"><span lang="en-GB">Accompanying
            the opening of the exhibition, there will be three
            presentations.
            They will shed light on digital life in cyberspace, which
            can end
            with the expunction of data, oblivion or the death of online
            identity. </span></span><span style="text-decoration:none"><span
            lang="en-GB"><b>Igor
              Štromajer</b></span></span><span
          style="text-decoration:none"><span lang="en-GB">
            will present the incentives for the project </span></span><span
          style="text-decoration:none"><span lang="en-GB"><i><b>Expunction</b></i></span></span><span
          style="text-decoration:none"><span lang="en-GB">
            and the problem of archiving online works of art. </span></span><span
          style="text-decoration:none"><span lang="en-GB"><b>Gordan
              Savičić</b></span></span><span
          style="text-decoration:none"><span lang="en-GB">
            – who, as part of the project </span></span><span
          style="text-decoration:none"><span lang="en-GB"><i><b>Web
                2.0 Suicide Machine</b></i></span></span><span
          style="text-decoration:none"><span lang="en-GB">,
            enabled the users of the social network to erase their
            entire profile
            to secure their right to privacy and free management of
            digital life
            – will discuss the issue of persistence of online identity
            in
            social networks. </span></span><span
          style="text-decoration:none"><span lang="en-GB"><b>Ida
              Hiršenfelder</b></span></span><span
          style="text-decoration:none"><span lang="en-GB">
            will consider digital death as a political and aesthetic
            statement in
            works of art and the idea of eternity of online life as an
            absurd
            desire to archive everything that exists.</span></span></font>
      <br>
    </font><br>
    <div><font face="Times New Roman"><span class="Apple-style-span"
          style="font-family:arial"><font face="Times New Roman"><font><span
                style="font-style:normal"><span
                  style="background-image:initial;background-color:transparent">Images
                  available for free download: </span></span></font></font><font
            color="#3333ff"><a moz-do-not-send="true"
              href="http://www.aksioma.org/press/make_love_not_art.zip"><font
                face="Times New Roman"><font>www.aksioma.org/press/</font></font><font
                face="Times New Roman"><font><span lang="zxx"><u><span
                        style="background-image:initial;background-color:transparent;background-repeat:initial
                        initial">make_love_not_art</span></u></span></font></font><font
                face="Times New Roman"><font>.zip</font></font></a></font> </span><br>
        <br>
        <br>
      </font>
      <font face="Times New Roman"><font size="3"><b>Igor Štromajer</b></font>
        <br>
      </font><font face="Times New Roman"><font size="4"><i><b>Make
              Love, Not Art</b></i></font></font><font face="Times New
        Roman"> <br>
        <br>
      </font>
      <font style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB"><span style="background:transparent">Igor
            Štromajer’s exhibition focuses on the project </span></span></font><font
        style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB"><i><span style="background:transparent">Expunction</span></i></span></font><font
        style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB">.
          Between 11 and 16 June 2011, Štromajer, one of the pioneers of
          net
          art in Slovenia and worldwide, carried out a ritual expunction
          of his
          classic net projects, which he created between 1996 and 2007.
          Every
          day during that period, he deleted one net art project; he
          removed it
          permanently from his server, so that the projects are now no
          longer
          available on the web server of Intima Virtual Base. He
          completely
          deleted 37 net art projects, totalling 3288 files or 101 MB.
          The
          documentation of the expunction and the entire project is
          available
          online at </span></font><font face="Times New Roman"
        color="#000080"><span lang="zxx"><u><a moz-do-not-send="true"
              href="http://www.intima.org/expunction"><font
                style="font-size:11pt" size="2"><span lang="en-GB">www.intima.org/expunction</span></font></a></u></span></font><font
        style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB">.</span></font><font face="Times New Roman"> <br>
        <br>
      </font>
      <font face="Times New Roman"><font style="font-size:11pt" size="2"><span
            lang="en-GB"><span style="font-style:normal"><span
                style="font-weight:normal">The
                project </span></span></span><span lang="en-GB"><i><span
                style="font-weight:normal">Expunction</span></i></span><span
            lang="en-GB"><span style="font-style:normal"><span
                style="font-weight:normal">
                raises questions about temporality, duration and
                availability of net
                art projects (the so-called “net art”), which change
                over time
                and slowly, but persistently lose their utility and,
                accordingly,
                their content. Štromajer’s principal guide in this
                project was the
                idea that one who creates, programs and constructs art
                can also
                deprogram, deconstruct, delete it. This is not an
                aggressive or
                destructive act, but rather an instance of taking into
                account
                natural rhythm: birth, life, death, which repeat
                themselves
                cyclically and oscillate in natural amplitudes.
                Štromajer has
                deleted history, including his own personal, intimate
                history, for he
                believes that memory is here to deceive, to betray us,
                and not to
                show and describe the past for us. A deceitful memory is
                not hard to
                delete, for it does not offer a realistic image of the
                past of which
                it speaks; it is always just a fraudulent, fabricated
                image. Hence,
                once they are published, the deleted art works or their
                remaining
                fragments – which can no longer be deleted due to the
                dispersal and
                the fragmentation of the world wide web – tell us much
                more about
                their originals (the original art works) than the
                originals
                themselves.</span></span></span></font> <br>
        <br>
      </font>
      <font face="Times New Roman"><font style="font-size:11pt" size="2"><span
            lang="en-GB"><b>Igor
              Štromajer</b></span><span lang="en-GB"> (Intima Virtual
            Base –
          </span><font color="#000080"><span lang="zxx"><u><a
                  moz-do-not-send="true" href="http://www.intima.org/"><span
                    lang="en-GB">www.intima.org</span></a></u></span></font><span
            lang="en-GB">)
            is a web artist, intimate mobile communicator and virtual
            performer,
            who has participated in various exhibitions and festivals at
            home and
            abroad. The opus of Intima Virtual Base comprises more than
            fifty
            projects, which have been exhibited at more than a hundred
            different
            exhibitions in 45 countries. Štromajer received several
            awards for
            his work (in Moscow, Hamburg, Dresden, Belfort, Madrid) and
            his
            projects have been purchased to be included in permanent
            collections
            at leading art institutions (such as the Centre national
            d'art et de
            Culture Georges Pompidou – Musée national d'art moderne in
            Paris,
            the Museo Nacional Centro de Arte Reina Sofía in Madrid, the
            Computerfinearts Gallery – Net and Media Art Collection in
            New
            York, the Hamburger Kunsthalle in Hamburg, the Slovene
            Museum of
            Contemporary Arts in Ljubljana, and the Maribor Art Gallery
            in
            Maribor). As artist-in-residence, he lectures at
            universities and
            contemporary art institutes in Europe, USA and Canada.</span></font>
        <br>
        <br>
      </font>
      <font style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB"><b>Gordan
            Savičić</b></span></font><font style="font-size:11pt"
        face="Times New Roman" size="2"><span lang="en-GB">
          received his Bachelor of Arts degree (in Digital Art and New
          Media)
          from the University of Applied Art in Vienna, and his Masters
          degree
          from the Institute Piet Zwart. He often collaborates with
          other
          artists on artistic projects in numerous countries, such as
          Austria,
          Croatia, Germany, Serbia, Switzerland, France and Great
          Britain. </span></font><font style="font-size:11pt"
        face="Times New Roman" size="2"><span lang="en-GB"><i>Web
            2.0 Suicide Machine</i></span></font><font
        style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB">
          was conceived as part of the media hack cooperative moddr_
          from
          Rotterdam.</span></font><font face="Times New Roman"> <br>
        <br>
      </font>
      <font face="Times New Roman"><font style="font-size:11pt" size="2"><span
            lang="en-GB"><span style="font-style:normal"><b>Ida
                Hiršenfelder</b></span></span><span lang="en-GB"><span
              style="font-style:normal"><span style="font-weight:normal">
                is a contemporary art critic, assistant on video
                programmes and at
                the DIVA (Digital Video Archive) station with SCCA,
                Institute for
                Contemporary Art – Ljubljana. She regularly collaborates
                with
                LJUDMILA – Ljubljana Digital Media Lab, and Aksioma –
                Institute
                for Contemporary Art. Her texts have been aired on Radio
                študent and
                published in the daily newspaper </span></span></span><span
            lang="en-GB"><i><span style="font-weight:normal">Dnevnik</span></i></span><span
            lang="en-GB"><span style="font-style:normal"><span
                style="font-weight:normal">.
                Occasionally, she writes texts for exhibition
                catalogues.</span></span></span></font> <br>
        <br>
      </font>
      <font style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB"><b><br>
            Production:
          </b></span></font><font style="font-size:11pt" face="Times New
        Roman" size="2"><span lang="en-GB">Aksioma
          – Institute for Contemporary Art, Ljubljana, 2012</span></font><font
        face="Times New Roman"> <br>
      </font><font face="Times New Roman" color="#000080"><span
          lang="zxx"><u><a moz-do-not-send="true"
              href="http://www.aksioma.org/"><font
                style="font-size:11pt" size="2"><span lang="en-GB">www.aksioma.org</span></font></a></u></span></font><font
        style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB"> </span></font><font face="Times New Roman"> <br>
        <br>
      </font>
      <font style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB">Artistic
          Director: Janez Janša</span></font><font face="Times New
        Roman"> <br>
      </font><font style="font-size:11pt" face="Times New Roman"
        size="2"><span lang="en-GB">Executive
          Producer: Marcela Okretič</span></font><font face="Times New
        Roman"> <br>
      </font><font style="font-size:11pt" face="Times New Roman"
        size="2">Assistant
        Production: Sonja Grdina</font><font face="Times New Roman"> <br>
      </font><font style="font-size:11pt" face="Times New Roman"
        size="2"><span lang="en-GB">Public
          Relations: Mojca Zupanič</span></font><font face="Times New
        Roman"> <br>
      </font><font style="font-size:11pt" face="Times New Roman"
        size="2">Technical
        Supervisor: Valter Udovičić</font><font face="Times New Roman">
        <br>
        <br>
      </font>
      <font style="font-size:11pt" face="Times New Roman" size="2"><span
          lang="en-GB"><b>Acknowledgments:
          </b></span><span lang="en-GB"><span style="font-weight:normal">Robert
Sakrowski,
          </span></span><span lang="en-GB">Brane Zorman</span></font><font
        face="Times New Roman"> <br>
        <br>
      </font>
      <font style="font-size:11pt" face="Times New Roman" size="2"><i><b>The
programme
            of Aksioma Institute is supported by the Ministry of
            Culture of the Republic of Slovenia and the Municipality of
            Ljubljana.</b></i></font><font face="Times New Roman"> <br>
      </font><font face="Times New Roman" color="#000000"><font
          style="font-size:11pt" size="2"><i><span
              style="background:transparent">Sponsor:
              Datacenter d.o.o.</span></i></font></font><font
        face="Times New Roman"> <br>
        <br>
        <br>
      </font>
      <font face="Times New Roman" color="#000000"><font
          style="font-size:11pt" size="2"><span lang="en-GB"><b>Contact:</b></span></font></font><font
        face="Times New Roman">
      </font><font face="Times New Roman" color="#000000"><font
          style="font-size:11pt" size="2"><span lang="en-GB"></span></font></font><font
        face="Times New Roman"><br>
      </font><font face="Times New Roman" color="#000000"><font
          style="font-size:11pt" size="2"><span lang="en-GB">Marcela
            Okretič, 041 250 830, </span></font></font><font
        face="Times New Roman" color="#000080"><span lang="zxx"><u><a
              moz-do-not-send="true" href="mailto:aksioma4@siol.net"><font
                style="font-size:11pt" size="2"><span lang="en-GB">aksioma4@siol.net</span></font></a></u></span></font><font
        face="Times New Roman"> <br>
      </font><font face="Times New Roman" color="#000000"><font
          style="font-size:11pt" size="2"><span lang="en-GB"><b>Aksioma
              | Institute for Contemporary Art, Ljubljana</b></span></font></font><font
        face="Times New Roman"> <br>
      </font><font face="Times New Roman" color="#000000"><font
          style="font-size:11pt" size="2">Neubergerjeva
          25, SI-1000 Ljubljana, Slovenia</font></font><font face="Times
        New Roman"> <br>
      </font><font face="Times New Roman" color="#000081"><font
          style="font-size:11pt" size="2"><font color="#000080"><span
              lang="zxx"><u><a moz-do-not-send="true"
                  href="http://www.aksioma.org/"><span lang="en-GB">www.aksioma.org</span></a></u></span></font></font></font><font
        face="Times New Roman">
      </font>
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